![]() " was obviously a little bit more country influenced, but I still really love pop music and I love music that can be played at the club." Three singles were released from the album, " Midnight Sky", " Prisoner", and " Angels like You". Plastic Hearts debuted at number one on the US Billboard Top Rock Albums chart and number two on the Billboard 200 and received positive reviews from music critics. Guest vocals include Dua Lipa, Billy Idol, Joan Jett and Stevie Nicks. Most of the album was produced by Andrew Watt and Louis Bell, with further collaboration with Mark Ronson and Andrew Wyatt. Marking a departure from Cyrus' previous releases, Plastic Hearts is primarily a rock, pop, synth-pop, and glam rock record, with influences from country, punk rock, new wave, arena rock, industrial, disco, and power pop. ![]() It was released on November 27, 2020, by RCA Records, and was her final album with the label she signed with Columbia Records in early 2021. Passionate and self-aware, Plastic Hearts is easily the finest incarnation of Cyrus' music yet.Plastic Hearts is the seventh studio album by American singer Miley Cyrus. Similarly, "Golden G String," a contemplative synth-country mini-memoir, feels very on-brand even as it reflects her growth as a songwriter and singer. ![]() Plastic Hearts' quieter moments, like the pedal steel-laden power ballad "High," offer some of Cyrus' best vocal performances in a while, and feel just as true to the album's spirit. "Prisoner" is another highlight, with Dua Lipa's cool tones providing the perfect contrast to Miley's raspy warmth. By comparison, the Joan Jett collaboration "Bad Karma" feels almost subdued, yet the heat she and Cyrus generate is undeniable, and Angel Olsen's guitar solo helps propel it to standout status. It's joined on the album by "Night Crawling," a duet with Billy Idol that captures the over-the-top, black and red leather sexuality of his best-loved singles so convincingly, it's almost uncanny. It's no surprise that "Midnight Sky," Cyrus' deeply affectionate homage to the tough-girl cool of Stevie Nicks' "Edge of Seventeen," became one of her biggest hits. Ronson and company get just the right gated drums and neon synth washes on songs like "Gimme What I Want," where the stomping beat harks back to Animotion's "Obsession." Since the beginning of her career, Cyrus' rock-tinged moments have been among her strongest, and Plastic Hearts is no exception. The album's creative team included Mark Ronson, a producer who's as savvy and versatile as Cyrus herself, and Plastic Hearts' songs are full of stylish, witty details. Once again, well-chosen collaborators help her set the stage for this era. ![]() This time, she doesn't go to either extreme: Plastic Hearts' mix of polished pop, country heart, and 1980s rock edge builds on her image instead of taking a wrecking ball to it. On She Is Coming, her wild-child antics felt like an equal and opposite reaction to Younger Now's twangy contemplation. After all the stylistic shifts that have defined Miley Cyrus' career, on Plastic Hearts she reaches a balance - but not a compromise. ![]()
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